told by Rivka Willick

Click to Listen


About the Story

willickPatricia is a true story.  It’s about people we remember and those we take for granted. It’s about people we ignore and those we will never forget. I’ve told this story many times and am usually approached after the telling.

This is a sticky story that stirs people up. About two years ago a nurse came up to me. She said she didn’t know why she ended up at the storytelling festival, not until she heard “Patricia”.  She said “there’s a young girl who came to the USA for a kidney transplant, but it didn’t work. Her family doesn’t have enough money for a second attempt and up until five minutes ago I just felt helpless. Now I feel different. I’m going to start making calls and others will join me.” The nurse walked away smiling.

Another time a fellow came up whose brother had been unemployed for months. Before the story he was fed up, after the story he decided to give him a call.

I’ve seen the power of spoken word stories, their power to inspire change and make connections continues to amaze me.  And now…allow me to introduce you to Patricia.

About Rivka

Rivka Willick is a professional storyteller, story coach and writer. She orally composes and tells healing, personal, historical, Jewish, and sci-fi fantasy tales to Adult, Teen, and Family audiences. She has performed all over New Jersey and the USA.  Her appearances include festivals, colleges, award luncheons, corporate and municipal lectures, schools, senior groups, and lots more. She also coaches people around the world in a wide range of applications in the art of story. Her clients include Entrepreneurs, professional lecturers, an Australian Rock n Roll Composer, artists, family story searchers, teens and individuals. CDs & DVDs available.

Contact Rivka


The Book of Joe Bob

Told by Megan Hicks

Click to listen


photo credit: Jack Abgott

photo credit: Jack Abgott

I wrote this story about twenty years ago. It came about one full moon night when I was sitting around a fire with a bunch of other women and one of my friends said, “When Job was enduring his travails, I wonder what his wife was going through. Nobody talks about that.” I decided it was time somebody did.

The book of Job has always been a tough nut for me. It’s a story where God seems mercurial and … well … mean.

This is one of those performance pieces I call a “knee knocker.” I’m afraid I’ll deeply offend somebody … in the audience or in the firmament. So far, though, lightning hasn’t struck me. And one member of the clergy has told me he found in this story “resounding confirmation of the canon.” Confirmation or repudiation — that’s not my aim here. I just wanted to write and tell a solid, strong, true rip snorter of a tale.

About Megan

Megan Hicks’ storytelling enchants children, inner children, imaginary friends and grownups – all at the same time. A favorite of audiences and festival organizers throughout the U.S., she is also a three-time solo touring artist in Latin America with Dream On Productions. Megan is author, producer and performer of three critically acclaimed spoken word audios and two limited edition audio projects. You can read her blogs at and, and you can sample her storytelling at

Contact Megan

phone: 540-371-6775


The Ballad of Jake and 10-Ton Molly

told by Mike Agranoff

Click to listen


agranoffThis is a story told in the old-fashioned format of recitation, a story in rhyme, after the fashion of Robert Service or Rudyard Kipling. This form was common stage and home entertainment in the 19th Century before the advent of recordings and radio. It was regular fare in minstrel shows, vaudeville, and English Music Hall, and its better practitioners were well known and sought-after stars. The format has all but disappeared today, and people have forgotten how engaging and gripping it can be when done well.

I wrote this piece. One might say it was a “true fantasy” I had while working my first job after graduating as a Mechanical Engineer. I won’t give the story away, but suffice it to say I worked at Avco Lycoming, and I might have been one of Jake’s junior co-workers on the same project. The scene where Jake first encounters Molly in the story is real. The rest…who knows?

About Mike

Mike Agranoff comes to the Storytelling Community via the world of Folk Music. There, he’s renowned for the spoken word material he always includes in his musical performances. His signature pieces are his rivetting original recitations after the fashion of Robert Service. But his toolbox also includes true stories, serious and hilarious, poems, and, of course, numerous ballads (in the original sense of the word: songs that tell stories), all honed to performance perfection. He holds a great love of the English language, and an admiration for its skillful practioners.

Contact Mike

phone: 973-335-9489


Come Down, Rhonda

Told by Laura J. Bobrow

Click to listen


bobrowSelecting a story to tell from among my repertoire of more than 500 stories, poems and anecdotes was, to say the least, daunting. I chose this from one of my CDs, “I Wrote These for You.”

Little details please me.  Not everyone needs to get the joke, but once I had determined that the story would begin in ballet class, naming the girl  came naturally.  “Rhonda” stands for the ballet move Rond de Jambe  which ends in perfect fifth position as does Rhonda’s miraculous jump.

About Laura

Laura is an award-winning poet.  She has been nominated for the Pushcart Prize. Her work has been likened in print to A. A. Milne, Hilaire Belloc, and Edward Lear.  One of her children’s poems is part of educational material for the state of North Carolina and is included in a fourth-grade textbook in Abu Dhabi. She uses poetry extensively in her storytelling, telling whole stories in rhyme or sometimes inserting rhymed refrains.

A recent project was to turn forty-nine folk tales of Giambattista Basile’s “Il Pentmerone” into narrative verse.  The rhymed versions of these wonderful tales from the late 1500’s can be seen on her website

Contact Laura

Phone: 703-771-7571


Why You Must Start Videotaping Your Stories

ohalloranVideo is an exploding business tool! Where before potential producers or clients might have wanted a press kit from you, now they want (and expect) to be able to see you in action. However, a bad video is worse than no video at all.

According to the Wharton School of Business, a well-produced video increases information retention by 50% and speeds-up buying decisions by 72% over print brochures, for example. Learn a few of the basics and you, too, can create videos for your websites and social media channels. In this short article, I am discussing what are called “head and shoulder” videos.

Don’t memorize, but have a clear structure

Unless you are doing a literary story, most of us perform by running a movie in our heads of the character, action, setting and dialogue of the story. That way, the story is happening in the moment for us as well as our audience. It’s the same in videotaping one of your stories. Have a clear structure in your mind. There is a logic to each one of your stories, a reason you went from one image to another. Understand that logic internally and you won’t get lost. If you want to write out your story to check your timing, that’s fine. But put that written piece aside when the camera is rolling and speak to one person in an everyday, relaxed tone of voice.

Have a conversation with a person who loves you and your work

You’re “just” (easy to say) having a conversation with someone across the kitchen table.

Performing for a close up camera is very different than performing on the stage or even videotaping a performance (a full body shot) from the stage. I have a strong preference; I just don’t find it compelling to see a full body shot on a computer or television monitor where the teller is an inch tall. A story told in close up becomes a very intimate experience. Even though the camera may be 10-12 feet away from you, the person listening to you when the piece is edited and online, is just two feet away. For those of you who have an expanded performance style, you’ll need to practice taking it down several notches.

I find it helpful to imagine someone I love right in the camera lens so I’m talking to the face of a live person who, when I’m in their presence, makes me come alive. It’s funny, but even imagining such a person changes your tone of voice and the relaxation of your facial muscles and, most of all, the light in your eyes.

When I run my story at home, I make a little circle on a piece of paper and hang it on the wall about 10 feet in front of me. Then, I practice talking to that small circle and imagine my beloved friend in the center of the circle smiling at me AND zoomed forward, about two feet away from me so that I’m not pushing out to them, but drawing them in. Practice, practice, practice your story. Try to “wing it” and your story may well fly away from you.

About Sue and Stories Connect Us All free online festival:

For examples of these intimate, close up video stories go to Over 43 professional tellers (many whom you’ve seen live on stage for years!) will be performing their video stories October 9-11th for the Stories Connect Us All Online Storytelling Festival, a FREE Facebook event, where you can talk live to the tellers after watching their stories. Sue O’Halloran is host and producer of the event that last year had 16 participating countries and a Facebook reach of over 50,000.

Contact Sue: